Monday, July 6, 2009

Shut Up and Paint!

Click on this image to read todays blog post. (Please note that my Moleskin sketchbook doesn't come with spell check.)

Oh! I also discovered Magnesium Blue Hue (by Daniel Smith) today... Fell in love. Mixed with lemon yellow and alizarin crimson make for a million shades of juicy grays and punchy darks! This fantastic palette will be in my next painting...

Monday, June 29, 2009

Instructional: How to fit a BIG object into a small hole.

Step 1:
Force it.

Step 2:
Wiggle it a bit, yank it, and then maybe give it a big heave hoe! (just a note that my foot is not broken in this photo)

Step 3:
Throughout your painting process, be sure to save enough oil paint for touch ups... because Step 4 is shoving it back down the stairs into the truck and off to your next show!

I've been thinking. Thinking about going big this time. But what I neglected to think about is wether or not my canvas would actually fit up the stairs to my studio! Luckily, it did, barely.

I keep gravitating to painting the very tip top of some trees I love at Golden Gardens here in Seattle. All those delicate limbs reaching way up to the sky... and all those yummy shapes of light that form between the branches. When I am done it will be 4 feet by 5 feet of fantastic goodness!

So I will be working on this one for a little while I presume. Until then I will post smaller works on occasion as I prepare for my next show at the Bellevue Art Museum Artsfair in July. I have been working on a few new Tree Charms like the one below too - I recently discovered working with resin and it goes wonderfully with the charms, making them look almost like glass! You can check more of them out at my store at www.jenniferphillipsart.etsy.com~


Wednesday, May 27, 2009

Do What Comes Natural


Was at the beach today... Alki Beach in Seattle, WA to be exact. It was sunny and gorgeous. Sitting there on my towel eating lunch and daydreaming of new artistic adventures with my husband.

Then I got some sort of strange "itch" to go searching for the perfect pebble in the sand.

I don't know why. I didn't bother to question it either... I just went with it. 

As I dug in the sand, I found perfect pebble after perfect pebble and I just couldn't stop! Soon enough I had a small handful of fabulous things all in wonderful shades of colors I absolutely adore...

As I returned to my blanket, I started to arrange my treasures into an organized pile of... something? I'm not sure what. But I was thoroughly enjoying myself and that was all that mattered. 

As we started to pack up our things, I made sure to stuff all my new little colorful friends into my back pack... now I wait. Patiently. As only the future can tell what will become of these treasures I found and how I will incorporate this experience into my creative adventures...

Recommended blog post to read cuz it is softly inspiring: "Just Like Breathing"



Friday, May 15, 2009

I Made it Through


Well, last I posted, I was reeling from a sleepless all nighter and praying that I would be awake for my own opening at the Greenwood Artwalk last weekend - welp! I am happy to say that I made it through! And I wasn't even tired, I was just the opposite! 

People came down for the show in droves! It was packed opening night! It was fantastic! Even though as usual I didn't take pictures during the jam packed moments cuz I was too busy yappin' it up!

Thank you to everyone who came - it really made the night just perfect! I even sold my big red tree ("Turning Red") AND the charcoal study I blogged about earlier! Thanks to all my collectors- new and returning! You guys are awesome!

So through out this process, I learned not to procrastinate, so I just started planning for my next show all the way in July! I also learned through some of my painting adventures not to give up. After cruzin' the internet yesterday I found this related blog post that inspired me. I couldn't find any other way to communicate what it was saying so I inserted it as a quote here on my blog so that everyone could read it AND so I could always go back and refer to it when things get tough... enjoy.




An Upstream Journey... by Keith Bond

"When I was about 14 years old, our Boy Scout Troop spent a week camping on the shores of the Shoshone Lake in Yellowstone National Park.  To get to the camp site, we canoed across Lewis Lake, then up a river to Shoshone Lake.  During that upstream journey, we had to constantly row or our canoes would be carried away downstream.  There were many obstacles in the shallow river (it would be considered a creek in many areas of the country).  Rocks and sand bars were a challenge.  The final leg of the journey, we had to portage our canoes. 

Then, crossing the Shoshone Lake was a new challenge.  We were canoeing contrary to the wind.  This required constant work and our progress was slow.  The wind caused the waters to be choppy, and if we weren't vigilant, our canoes could easily capsize. 

Likewise, a career in art is a similar journey.  You are charting an upstream course with many obstacles in our way.  Sometimes you may need to portage.  And if you ever feel that you have made it, remember, the waves are contrary and you must continue to be diligent in your efforts.  If you fail to constantly push forward, the current or wind will sweep you back.  If you quit creating art for a period of time, or if you quit marketing your art, you will be swept back downstream or even capsized.  Once you resume your efforts you cannot start where you left off.  You will need to re-enter the waters downstream.  It will require tremendous work to regain what was lost. 

In this time of uncertainty, there are many challenging obstacles.  What you do during this time is critical.  Even if you must slow your pace, you must never take your oars out of the water.  You must keep creating; you must continue marketing.  It is imperative that collectors continue to see your work.  If they don't see you, they will see those artists who are continuing to toil upstream.   Don't let the current sweep you back.  Do what you must to carry on; even if the progress is slow.  There is no resting on the sidelines.  Either you move forward or you move backward

You may not be able to spend the time creating as much art as in the past.  But create something and let your collectors see it.  Make it a priority.  And keep your oars wet."

Best of luck,

Keith Bond

Friday, May 8, 2009

Pullin' an All-Nighter!

Photo Title: "Zzzzzzzzz"

Mark my words... I WILL NEVER PROCRASTINATE AGAIN. 
It is 12:30 AM, and I am still awake thanks to Mountain Dew and a need to finish what I started! Been cutting a BAZILLION mats for all my new prints that I will have at the show tomorrow and I still have labels to make and a bunch of final details to attend to. 

All said, I am very excited for tomorrow! Should be a fantastic show... I have some great new larger pieces accumulated and many many NEW BABY TREE pendants for my new jewelry line - just in time for Mother's Day this weekend!

Here is another sneak peek at a new painting that I have still to name tonight!
Hope to see some of you locals at the show tomorrow (Get the Greenwood Artwalk Info HERE)~ You'll especially want to come to see if I am actually awake at my own opening! 

I'll keep everyone posted as to how it goes... wish me luck!


Title: hummm? (could call it "Mountain Dewy Morning"? Or "Procrastinator's Favorite Painting Spot"? Or "Oh My God I am So Tired")
Size: I think it is 34"x24", I am too tired to measure.
Medium: Now, this one I know... OIL on Panel
Price: Find out tomorrow at the show cuz I can't do the math at this hour.

Thursday, April 30, 2009

Can I Get a Drum Roll Please?

Began with a light sketch and "fixed" into place with Matte Varnish.

Used my infamous "Saparindian" color to tint the surface and begin wiping out highlights.


Adding the darks to establish more value shift.

Began "sculpting" the edges of the trees... one of my favorite parts.

Used a mixture of Alizarin, French Ultra Blue, and Cad Red to create the rich dark undertones of the red tree.

Once I get into laying the rest of the color I am in a trance... almost like the character on Heros where his eyes glaze over and magically a painting appears from his subconscious. I hear nothing and see nothing for hours until I get to a comfortable stopping point. 

Therefore, I didn't take anymore in-progress shots till the end. Still need to get it professionally photographed, but you'll get the idea here.

For every artist there is an area of their painting of which shows a spot where they have fallen in love... for me it is the flickering light that falls on the tips of the trees and the juicy glow of red on the main subject. Makes me all warm and fuzzy...

"Turning Red"
30"x30"
Oil on Panel
SOLD
On display at the Greenwood-Phinney Artwalk May 8th & 9th

Wednesday, April 29, 2009

Rescue the Snakes!

"Rescue the Snakes" - to do something you've been putting off. To do something you don't want to do. 
Reference: from the movie "Pee Wee's Big Adventure." The scene wherein Pee Wee Herman is rescuing animals from the burning pet shop. He does not like snakes, and rescues them last after every animal is safe, with a grimace on his face while screaming.
- by Rick Anders, March 19th, 2008 from the Urban Dictionary.

I never thought there was a term for it. All week I have been describing to people about my painting process... " You know that Pee Wee movie? That part where he keeps running past the snakes? Yeah? Well, those snakes... are my painting!!!" 

For me sometimes there is a lot of feelings I like to avoid feeling during the preliminary stages of a painting... so much that I fight with it until the very end. Well, I stuck with it. So proud, so proud.

Tonight I finished my painting. 
I rescued the snakes. 
Finally. 
Whew.

It turned out fantastic! I will take pictures and upload them tomorrow... The act of actually painting it was almost comparable to an exorcism, or giving birth, or an even better analogy is through this Pee Wee Herman clip. 

If you haven't seen the pet shop segment you have to watch it. The scene is way at the end of the clip around the 7:28 mark... but watch the whole thing, it is well worth it. (Especially if you have a painting your avoiding)

Thursday, April 23, 2009

Lost Again... Found Again

"Lost Again"
Oil on Panel
10" x 20"
$820
Available for purchase at the Greenwood Artwalk starting May 8th

This last week has brought many the challenge to my little artistic self. I opt not to drag you with me through the details of memory lane, but to share with you something that I discovered about myself along the way... 

"I'm not perfect."

"WHAT????!"

I put myself through many inner struggles this week - enough to really derail me... I hate to say it. But I had to put down the brush. Yes. Thee brush! The absolutely worst thing I could do! My inner critic! He took over and busted creative bubble. I really don't know what happened. It hit me like a ton of bricks. I found myself anxious, not sleeping well, and just plain troubled as to why I could not move forward with the painting I was working on. 

Now to jump right to the "learning about myself part"... and I must quote from a book I am reading... Walking in This World, by Julia Cameron.

 "Many of us falter, thinking that in order to begin a creative work we must know precisely how to finish it and, beyond that, to insure its reception in the world. We are, in effect, asking for a guarantee of our success before we have taken the single most important step necessary to insure it. That step is commitment..."

THEN! I read THIS! Which hit it right on the head for me...

"When we are worrying about creating instead of actually creating, we are wasting our creative energy."

And then THIS one hit me again!...

"Thinking is not the enemy, but overthinking is."

It was like someone kept hitting me over my soar little swollen worried artist head, with the very book I was reading! Saying, "Get up woman! Are you denying yourself the process of making art because you are so focused on the final product? Let it go! Pick up that brush and let it flow!"

So I did. It took awhile. I paced a bit. Ate a lot. But I finally did it. I worked out my artistic kink.

So for a while this week I was Lost... and then I was found. 

Tomorrow I WILL be returning to the easel to paint "Turning Red". No drama. Just me, the brush and my "dial" turned to the creative channel!

A couple great inspirational artist's blog posts I read this past week:

Saturday, April 18, 2009

One down, one to go...


"Turning Red" Study
 Vine Charcoal on Paper
18 1/2" x 19 1/2"
SOLD

All done! I love it. I love charcoal. It is such a romantic medium. I get to use my fingers to shmear and shmooth and push the particles around... and then erase and carve out those highlights I love so much! Just as if I was holding a brush. Charcoal really allows for such a soft feel, yet with the added benefit of just a hint of texture in the strokes. 

I can't help but to include this one in my next upcoming show in May. In fact, this was so fun that I will most likely do a charcoal for the next 3 pieces too and hang them with the final paintings that are in color - kind of a before and after with two totally different feels.

So time for a selfish plug.. my next show:

Seattle, WA
Friday night -May 8th from 6 pm- 9:30 pm
Saturday night - May 9th from noon - 5 pm

My show location is designated the same as last year at"
Equinox Healing Arts Massage Studio (click for directions)

Now onward to step two. The painting. The part that always scares me to death. STARTING. I must have stared at my blank white gessobord today for like 2 hours, then looked back at my empty palette, and then back at my drawing, back and forth back and forth. I sort of do this every time I start a big project. I tend to paint in my head first. As if I am an actor reciting my lines before a performance. Kind of a ritual for me, mixed with anxiety and excitement. We'll see what tomorrow brings.

What is your pre-painting ritual?

Thursday, April 16, 2009

Turning Red - A Preliminary Drawing...

You can call it what you want... A preliminary drawing, a warm up exercise, value study, my brain on paper, compositional conditioning, a get over your fear session, or even a get to know your subject - date on paper... For me, it is all of those.

I am starting a new painting. It is larger this time. 30" x 30" and in color. A gorgeous tree that I snapped a shot of at Discovery park last Autumn in the most amazing shade of red I have ever seen - I realized that I am a bit intimidated by it. So this time, I decided to take a "baby steps" approach to it. 

Today I began a study of this tree, in charcoal. Made it all the way to the "almost finish" and my paper decided to poop out on me. All the little texture bumps filled up with charcoal and the only way to keep layering more on top is to use workable fixative. I, Jennifer Phillips, the hoarder of everything art supply, IS OUT OF FIXATIVE! 

Nothing is more frustrating than getting close to the end of a piece and running out of materials. So I will be off to Daniel Smith tomorrow to buy more. In the mean time I have posted some of the stages of my drawing from today. I will post the final work tomorrow after it puts an end to my last piece of vine charcoal!

First stage blocking in loose line drawing with a soft charcoal pencil.

... Breaking the foliage down into shapes...

Using soft vine charcoal to begin adding my darks...

...Shmearing to create mid-tones...

Creating a the range of lights and darks is a constant adjusting process - additive and subtractive methods are used here.

This stage I begin to bring out more definition in the foliage while still maintaining a loose feel in the strokes of the charcoal. Always thinking about edges, contrast between soft and hard.

I use a Magic Rub eraser to lift out the highlights. 

Working left to right I work pull out the edges of the trees where they meet the sky.

Detail of the right side. My favorite part is lifting out (subtractive method) - I love depicting the light that flickers through the leaves...

This was a great exercise to help me see the lights and darks that I need to include in my final color painting. I hope that I get it right!

Sunday, April 12, 2009

Happy Easter Every Bunny!

Saturday, April 11, 2009

Arms Up!

"Arms Up"
2"x4" Oil on Canvas
You likie? I shippy. 
SOLD

Guess what!? I'VE BEEN TAGGED! How exciting is THAT!? My first tag... makes me so happy... sniff sniff - I am so honored to have received "A Passion for Painting" award AND even more honored that it was given to me by such a remarkable artist, Steven Walker!  I am blushing. Thank you soooo much! 

According to the rules of being tagged, I am supposed to link to the artist that tagged me, list seven things that I love, choose seven other artist's to pass the award to, and then notify them of the award... so, here 'goes...

7 Things I Love (besides the obvious husband, family, etc.)

1. All things food.
2. All things sweet (IE. candy, chocolate - make good gifts... hint hint.)
3. All things itty bitty. (IE. teeny tiny, miniature - like "Oh my goooosh, that's so tiny I have to buy it!")
4. The smell of oil paint in my studio. (Except when I've forgotten to ventilate and pass out from toxic fumes.)
5. Early Ford Broncos and many other classic cars. (Especially my STOLEN Bronco... Jerks.)
6. Snakes, Chameleons, and Lizards. (At one point I owned 2 large boa constrictors, a Jackson's Chameleon, 2 Bearded Dragons, and worked in a pet store cuz I couldn't get enough.)
7. Answering technical questions about art materials, helping people, and making people smile. (Used to work 10 years for an art supply company where I did this all the time in a retail environment... now I try to find ways to do it in my every day life.)

7 Fantastic Artist's (including Steven Walker) to drool over